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Awards & Reviews

AWARDS

Winner: Australian Academy of the Humanities Medal for Excellence in Translation for Joseph Ponthus' On the Line: Notes from a Factory

Winner: CWA Crime Fiction in Translation Dagger 2020 for Hannelore Cayre's The Godmother

Winner: The JQ-Wingate Prize 2019 for Françoise Frenkel's No Place to Lay One's Head

Shortlisted: NSW Premier's Translation Prize in 2019 for a body of work & in 2023 for Joseph Ponthus' On the Line

Shortlisted: Staunch Book Prize 2019 for Hannelore Cayre's The Godmother

SELECTION OF REVIEWS - click on bold title to access reviews

Sydney Morning Herald

4 December,2024

"The year in books: Writers pick the best reads of 2024"

James Bradley, author of DEEP WATER, picks Marie-Hélène Lafon's

THE SON'S STORY in 'Stephanie Smee's extraordinarily beautiful

translation of...Lafon's tiny miracle of a book...' and

Anna Funder, author of WIFEDOM,'loved Marie-Hélèneè Lafon's THE

SON'S STORY, beautifully translated by Stephanie Smee...'

Crime Fiction Lover

11 January,2024

Blizzard by Marie Vingtras, translated from the French by Stephanie

Smee, published by Mountain Leopard Press, an imprint of Headline/

Hachette UK

A '...remarkable debut. ...There is a pleasingly lyrical feel to

Vingtras’s prose and kudos must go to translator Stephanie Smee for

her work here.'

The Guardian UK

9 January,2024

Blizzard by Marie Vingtras, translated from the French by Stephanie

Smee, published by Mountain Leopard Press, an imprint of Headline/

Hachette UK

'...ably translated by Stephanie Smee.Winner of the French Book-

sellers Award, it is a chilling, tense read.'

Publishers Weekly

May,2023

In Search of Perfumes by Dominique Roques, translated from the French by Stephanie Smee, published by HarperVia

'...this rich travelogue will transport readers.'

The Sydney Morning Herald/The Age

October 14,2022

In Search of Perfumes by Dominique Roques,

NON-FICTION PICK OF THE WEEK, reviewed by

Cameron Woodhead & Steven Carroll

'Roques is passionate about his subject, and the writing,

appropriately, often has a rich and heady quality.'

ASTRA: the international magazine of literature, Online edition

June 07,2022

"The Artist's Seven Minutes" by Ariana Harwicz and

Ariana Saenz Espinoza, transl by Sarah Moses,

considering my translation of Joseph Ponthus's On the Line". 

The Sydney Morning Herald/The Age

March 25,2022

A World with no Shore by Hélène Gaudy, PICK OF THE WEEK,

reviewed by Cameron Woodhead

'Gaudy has an unerring talent for metaphor that intensifies

her descriptions of the Arctic;'

The Times Literary Supplement

February 18,2022

On the Line - Notes from a factory by Joseph Ponthus, reviewed by Hilary Davies

"That stench of whelk: Dread, poetry and fish under capitalism"

'The unadorned, direct, demotic language, expertly rendered by the translator, Stephanie Smee, is also a tribute to the lives they have to lead.'

The Saturday Paper

February 19,2022

A World with No Shore by Hélène Gaudy, reviewed by Geordie Williamson

"[Hélène Gaudy's] authorial perspective binds together past and present, human and natural worlds, solitary explorers and the civilisation they leave behind, all with knowing intelligence and plangent intensity of feeling."

The Weekend Australian

August 28-29,2021, Review

The Rome Zoo by Pascal Janovjak, reviewed by Richard King

"Immaculately conceived, constructed and paced,

its separate narratives run together with

the fluidity of a fever dream."

The Saturday Paper

August 21-27,2021

The Rome Zoo by Pascal Janovjak reviewed by Fiona Wright

"... it is at once fantastical, historical and allegorical,

... tender and hopeful but also cynical and cruel. ...

It has an eerie timeliness too ... a rich and

multilayered book."

European Literature Network

July 23, 2021

On the Line: Notes from a factory by Joseph Ponthus,

reviewed by Rosie Eyre

"You don't need to be a poetry aficionado to be stirred

by the understated beauty of Ponthus's writing, and

Stephanie Smee's superb translation ...

A world in which the vicissitudes of factory life are

illuminated with wit and wisdom, and joy can be found

twinkling here you least expect it."

Australian Book Review 

Online exclusive, May 2021

'On the Line: Notes from a factory' by Joseph Ponthus transl. Stephanie Smee reviewed by Dr Valentina Gosetti. "Few books immediately suspent time; few need no warm-up and almost demand to be read, reread, underlined. Stephanie Smee's rendition of Joseph Ponthus's multi-award-winning first solo book On the Line: Notes from a factory, is one such read."

 

 

The Monthly

April, 2021

On the Line: Notes from a factory by Joseph Ponthus transl. Stephanie Smee reviewed by Stephanie Bishop. "On the Line is marked by a heady admixture of brutality and tenderness, elevated throughout by Ponthus's philosophical hunger and gratitude for common life."

The Sydney Morning Herald, Spectrum

October 16, 2020

Kerryn Goldsworthy, 'The more things change, the more inequality stays the same. Hannelore Cayre's The Inheritors is Pick of the Week, transl. Stephanie Smee

 

The New York Times

December 12, 2019

Lauren Elkin,'Her Francophilia Saved her from the Death Camps but not from Great Danger' Review of A Bookshop in Berlin, by Françoise Frenkel, translated by Stephanie Smee

The Wall Street Journal

November 29, 2019 - 'A Bookshop in Berlin' Review: No Place to Lay Her Head

by Françoise Frenkel, translated by Stephanie Smee

 

The New York Times

November, 2019 - 100 Notable Books of 2019

The Godmother by Hannelore Cayre, translated by Stephanie Smee

The year's notable fiction, poetry and nonfiction, selected by the editors of the New York Times Book Review 

 

The New York Times

31 October, 2019

Gregory Cowles, Senior Editor, Books, 'Editor's Choice: 10 New Books We Recommend This Week... The Godmother by Hannelore Cayre, Translated by Stephanie Smee'

 

The New York Times

25 October, 2019

Ivy Pochoda, 'Cunning, Damaged and Deranged: The Latest Thrillers by Women'

Review of The Godmother by Hannelore Cayre, transl by Stephanie Smee

The Spectator

7 February, 2020, review of The Godmother by Hannelore Cayre 

Jeff Noon: 'Hitler's affair with his niece - and a failed attempt on his life - make for a sizzling thriller'

Declan Burke's Best Crime Novels of 2019

16 December, 2019

The Godmother by Hannelore Cayre

The Guardian

18 October, 2019

Laura Wilson, The best recent crime & thrillers - review roundup

The Godmother by Hannelore Cayre

Chat10Looks3 Podcast with Annabel Crabb and Leigh Sales

4 October, 2019

Episode 120 'I don't like the Daff' featuring

The Godmother by Hannelore Cayre

The London Free Press

27 September, 2019

Joan Barefoot, 'Unlikely criminal key to this

award-winning novel'

The Godmother by Hannelore Cayre

Readings

20 August, 2019

Fiona Hardy, 'The Godmother' by Hannelore Cayre

The Monthly

September, 2019

Helen Elliott, 'A sardonic French bestseller about a godmother,

in the organised crime sense of the word'

The Godmother by Hannelore Cayre

The Globe and Mail

28 August, 2019

Margaret Cannon, Seven thrillers that will keep you wanting more

The Godmother by Hannelore Cayre

Kirkus Review

7 October, 2019

Kirkus Review of 'A Bookshop in Berlin' by Françoise Frenkel

Winner of The Jewish Quarterly-Wingate Literary Prize

25 February, 2019

Comments by judges awarding the JQ-Wingate Literary Prize 2019 to

No Place to Lay One's Head by 

Françoise Frenkel

See also articles appearing in The Bookseller and the

Jewish Chronicle

The Times Literary Supplement

10 August, 2018

Natasha Lehrer, Letters for Eternity: Tales of survival from the

Holocaust

No Place to Lay One's Head by 

Françoise Frenkel

The Daily Telegraph

3 February, 2018

Nicholas Shakespeare, No Place to Lay One's Head by 

Françoise Frenkel: The Things You Didn't Talk About.

The Financial Times

12 January, 2018

Catherine Taylor, No Place to Lay One's Head by 

Françoise Frenkel: A Silence Broken.

 

The Spectator

27 January, 2018
Emily Rhodes,Françoise Frenkel: A spirited

woman on the run in Occupied France.

The Economist

25 January, 2018

Françoise Frenkel's powerful memoir

of the second world war: A remarkable

lost-then-found account that appears

in English for the first time.

The Sunday Times

21 January, 2018

Christina Patterson, Book Review: An Astonishing

memoir of escape from the Nazis has re-emerged

after 73 years.

New Statesman

9 March, 2018

Jeffrey Archer, Pushkin to shove:

"Three cheers for the Pushkin Press... 

let this be a thousand pages..."

Australian Book Review

May, 2018

Dr Avril Alba reviews'No Place to Lay One's Head'

by Françoise Frenkel

French Australian Review, Vol.63

Australian Summer, 2017-2018

Review by Jane Gilmour pp93-96

The Independent

29 December, 2015
Robert Fisk,Françoise Frenkel's escape from

the Nazis and Vichy France: A bitter, 

beautiful and important book.

The Huffington Post

11 December, 2015
Constance Leisure,French Events 

(A review of Françoise Frenkel's Rien où poser sa tête)

 

French Australian Review, Vol.60

September, 2016
Book Review:Jules Verne's Mikhail Strogoff

 

Reading Time, Children's Book Council of Australia

25 August, 2016
Jules Verne's Mikhail Strogoff

 

The Weekend Australian, Review

25 June, 2016
Australian Translator brings Jules Verne to life

 

Magpies Magazine Vol 31 No.2

May, 2016

A New Translation of a Classic:

Mikhail Strogoff

 

The Sydney Morning Herald, Spectrum

15 January, 2011
Naughty Sophie gets a New Life

 

North Side

14 June, 2011
The Fleurville Trilogy

 

Herald Sun, Melbourne

19 February, 2011
The Fleurville Trilogy by Countess de Segur

 

Adelaide Advertiser
19 February, 2011
Sophie's Misfortunes

 

Herald Sun, Melbourne

23 December, 2011
General Dourakine, in Short Takes

 

The Sydney Morning Herald, Spectrum
21 January, 2012
The Fleurville Trilogy

 

Good Reading
May, 2012
The Fleurville Trilogy

 

Weekly Times (VIC)

13 March, 2013
A Room at Guardian Angel Inn

 

Herald Sun, Melbourne

14 September, 2013

General Dourakine, Countess de Segur

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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© 2014 Stephanie Smee. All rights reserved.

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